tag:blogger.com,1999:blog-6124799008909325766.post7150987580829340683..comments2023-07-12T07:59:47.173-04:00Comments on A Writer's Journey: Whose Voice Is It Anyway? Avoiding Literary ChateausLyn Fairchild Hawkshttp://www.blogger.com/profile/13308501118724743991noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-6124799008909325766.post-44898191650038726452010-08-09T17:03:15.482-04:002010-08-09T17:03:15.482-04:00Becoming that character means emphathize. And I fi...Becoming that character means emphathize. And I find I'm a better human being after writing stories...I walked in the moccasins of another and got all my revenge and angst and dysfunction worked out until I found the human truth. :-)Lyn Fairchild Hawkshttps://www.blogger.com/profile/13308501118724743991noreply@blogger.comtag:blogger.com,1999:blog-6124799008909325766.post-69037565055126013382010-08-07T16:28:24.212-04:002010-08-07T16:28:24.212-04:00I'm reading a book of interviews with Andre Du...I'm reading a book of interviews with Andre Dubus, and the one thing he says head the hardest time teaching himself was to know his characters. In 3rd limited, the narrator's voice should at least refrain from clashing with that of that character's POV. Which means know EVERYTHING about that character. BECOME that character.<br /><br />TMSAISTI (That's my story, and I'm sticking to it.) ;-)Gridley Fireshttps://www.blogger.com/profile/17936267059744060669noreply@blogger.com